‘Time turns, sets a backward course, starts for the start with speed: the fragile moments drop unravelling, reversing, unwound, back to the beginning.’
Election night. The polls predict a landslide victory. Everything is about to change.
Award-winning writer and director Robert Icke transforms Sophocles’ epic tragedy into an essential and explosive political thriller.
First performed in Dutch in 2018 at Internationaal Theater Amsterdam and the Edinburgh International Festival, this arresting version of Oedipus received its English-language premiere at Wyndham’s Theatre in London’s West End in 2024, produced by Sonia Friedman Productions, and starring Mark Strong and Lesley Manville.
Robert Icke is one of the most visionary figures in theatre today, celebrated for his contemporary re-imaginings of classic texts by Shakespeare, Schiller, Chekhov, Aeschylus and Ibsen.
‘Robert Icke is the great hope of British theatre’ Time Out
‘Electric… riveting from beginning to end… Icke has done an astonishing job… An old play is masterfully analysed and made newly devastating’
— Guardian
‘Stunning… Icke brilliantly remakes Sophocles’ profoundly disturbing tragedy for our times’
— Financial Times
‘Wrenchingly tense… Icke invokes a sense of the past in a vivid contemporary milieu… an extraordinary evening… this show is mother****in’ good’
— Evening Standard
‘Lethal but compassionate… defiantly humane… a singularity of purpose that distils a famously lurid story into something empathetic, lucid and quite, quite devastating’
— Time Out
‘Stunning… razor-sharp and contemporary… a blinding theatrical experience that remains seared on the retina’
— Stagedoor
‘Devastating… Icke ratchets up enough tension to cause gasps… he knows exactly how to create a realistic, involving drama while allowing the prefiguring dramatic irony of the language to foreshadow events. The result is as gripping as a thriller, yet weighted with the terrible sense of what might have been… a modern reminder of the power of Greek tragedy to lay bare all the grief of the human soul’
— WhatsOnStage
‘Stylish and shattering… Icke’s reworking is bold and affecting… The piece has a cumulative power that builds gradually until the atmosphere is riveting, suffocating and unbearably tense’
— The Stage
